Happy Birthday to my beautiful granddaughter, Arabella!
They grow up so fast…
I read yet another announcement on Facebook this morning that said, essentially, I don’t care if your book is an Amazon bestseller, or if it’s been selected for reading by some book group I may or may not have ever known, if you keep posting advertising in this group I will NEVER read your book and I suspect I’m not alone in feeling like this.
We’ve all seen similar posts and maybe have posted similar posts. I hadn’t had coffee yet, but it set my mind whirling. Most marketing experts tell authors to be more active in social media, to tweet their hearts out and make sure they’re posting regularly. And honestly, what is advertising but putting your product information out in venues where it’s likely to be seen by potential buyers?
If I subscribe to a cooking magazine and sit down to read it when it arrives, I shouldn’t be surprised to find advertising in it that is somehow related to food. It’s expected, actually. I may not know the company that’s doing the advertising. In fact, I probably will come across quite a few products that I never knew anything about until I saw it there. I think that’s the point. Whether I like it or not, or will buy it or not, that’s a different story.
If you ask some people what crosses the line from discussing or introducing a book to spamville, the consensus is often whether the poster is known to the group in which he or she is posting. At first thought, that seems logical to most and heads will nod. But can you give me a comparison from general marketing guidelines? Where are the rules?
If you’re talking about groups to join on Facebook or LinkedIn or wherever, maybe that could be compared to those rare occasions when you get to watch a television movie with “no commercial interruptions”. I’m not saying spam is ok. I can get annoyed as anyone when that typical BUY MY BOOK tweet interrupts my feed for the umpteenth time and, no, I probably will not go buy the book.
Society is bereft of the manners with which I was raised oh so long ago, so I shouldn’t be surprised when some trample over any semblance of etiquette in social media situations. But I admit as a publicist I do feel a twinge of regret that this person wants very badly to see his or her book succeed and it’s too bad that he or she is going about it in the wrong way. I’d like to think that if we ranted less and offered well placed advice more, there might slowly be change. But then few take unsolicited advice to heart and I don’t blame anyone for not wanting to stick their necks out. Pearls before swine, as it were.
What are your thoughts? When does ill-advised attempts at advertising cross the line to spam?
Off to find that missing coffee…
Edgar and Emmy-nominated, novelist, screenwriter, playwright Thomas B. Sawyer was Head Writer/Showrunner of the classic CBS series, MURDER, SHE WROTE, for which he wrote 24 episodes. Tom wrote/directed/produced the feature-film cult-comedy, ALICE GOODBODY. He is co-librettist/lyricist of JACK, a musical drama about JFK which has been performed to acclaim in the US and Europe. Tom authored bestselling mystery/thrillers THE SIXTEENTH MAN, & NO PLACE TO RUN. His new novel, CROSS PURPOSES, introduces NY PI Barney Moon, who doesn’t drive, hates LA, and is stuck there. Learn more about Tom and his work at http://www.thomasbsawyer.com/.
PJ: How long have you been writing?
Tom: Full-time professionally, about 35 years. During my first career as a graphic artist starting in comic books, I did a little writing, but my focus was illustration.
PJ: At what point did you reach a place where you felt successful as a writer?
Tom: After about three years in Television.
PJ: Is the writing life what you expected when you started out? If not, how is it different?
Tom: Coming to Hollywood, I’d anticipated directing, which was what I’d been doing back in NY (commercials, short films, some stage-work). I tried TV writing because I was assured that writers ran that business – which very happily turned out to be true.
PJ: The general public seems to think authors are relatively wealthy. Without prying too much, has your writing income lived up to expectations?
Tom: In TV and film, way surpassed them. Less so in novel-writing.
PJ: Early on, so much focus is given to getting published. Now that you’re published, how has your focus changed?
Tom: Still the same – getting published – but with more and more focus on promotion. Very few of us can make it in the book biz without a lot of BSP (Blatant Self-Promotion), and other types of publicity.
PJ: How long did it take you to get published the first time?
Tom: About six months.
PJ: Would you do anything differently if you had it to do over again?
Tom: Probably not.
PJ: Writing new material, rewriting, submitting new work, waiting, promoting published work…the list is large. How do you manage to divvy up your time to give adequate attention to all needed areas?
Tom: It’s a juggling act, but I enjoy it. I write and/or promote pretty much seven-days-per-week.
PJ: What is the single most exciting thing that’s happened to you as a writer?
PJ: What is the single most disappointing thing that happened to you as a writer?
Tom: Not being instantly recognized for my brilliant talent.
PJ: What’s the most memorable thing (good or bad) that’s happened to you while promoting your work?
Tom: Being compared with writers of the caliber of Elmore Leonard and Damon Runyon.
PJ: With more books being released each month now than ever before, what do you believe sets your work apart from the others?
Tom: Humor, economy, entertainment. Our mandate in TV writing: Deliver the audience to the commercial-break. They’re all sitting there with thumbs hovering over the channel-clicker. Bore them for a second and you’ve lost them. That’s the way I write novels. Read ‘em and you’ll see.
PJ: What would you like to share with writers who haven’t reached the point of publication yet?
Tom: It’s terribly important – strike that – vital – to know – with absolute certainty – that anyone who rejects you or your work is out of his or her mind. Believe in yourself!
PJ: What do you feel is your most effective tool for promoting your published work?
Tom: Persistence. Noise. Word-of-mouth. I’d say all of those, plus networking.
PJ: What area of book promotion is the most challenging to you?
Tom: All of it. Getting noticed at all in a world so full of people yelling “Look at me!”
PJ: Do you have a local independent bookseller you’d like to mention?
Tom: Diesel Bookstore in Malibu, CA.
PJ: Give us a list of your published titles in chronological or series order:
PJ: Share with us an elevator pitch (no more than 30 seconds) of your latest title:
Tom: A routine arson case sends New York PI Barney Moon to what he regards as an Alien Planet — Los Angeles. His should-be one-day mission quickly escalates to murders and conspiracies, trapping him in Tinseltown – and in growing danger. Worse, Barney doesn’t drive, a problem he solves by apprehending gorgeous would-be car-thief, Melodie, 18. Narrowly evading and outwitting assorted bad guys, LAPD detectives and at the last second, violent death, this comically mismatched pair foils a bizarre terror plot just as it’s about to kill thousands.
PJ: Where can we buy it?
Amazon (print or e-book), and it can be ordered for you by any bookstore.
PJ: What last thing would you like to share with us that nobody knows about you and your work?
Tom: No secrets that I can think of…
There you have it folks! I strongly recommend you pick up a copy of Cross Purposes or some of Tom’s earlier work. I trust you’ll enjoy!
M.E.Kemp was born in 1636, Salem, MA – no, that’s not quite right. The first baby in the family was born then. Kemp’s ancestors settled in Oxford, MA in 1713, the founding of the town by the English after a Huguenot community evacuated following an Indian attack. Her roots, her Grandmother’s family tales about the Civil War and her father’s love of American history influenced her to set her mysteries in the Boston area, rather than the myriad books set in medieval Britain. American history is just as bloody and colorful, she believes. Her detectives are two nosy Puritans, since Puritans were supposed to keep track of their neighbor’s doings. Nosy makes a good detective. She has five books out and is at work on #6. Check her out on her website: mekempmysteries.com; or on facebook under Marilyn Rothstein.
Marketing Panel – Hudson Valley Writers Guild
A panel consisting of poet Dan Wilcox, self-publisher Barbara Traynor, mystery writer M.E.Kemp and newpaper critic/reviewer Elizabeth Floyd Mair addressed the issue of marketing in “Selling Your Words,” held at a local library. Moderator M.E. Kemp started off by recalling her first writers conference where a mid-list publisher stressed in no uncertain terms that writers must sell their work themselves, not to depend upon the publisher. “Shy people need not apply,” she stressed – although today’s technologies allow more marketing efforts behind a screen.
Poet Dan Wilcox said he’d had some early success by joining with two other poets in readings as “Three Guys From Albany.” Giving readings is the main way for poets to market their work. Wilcox arranged with the local Social Justice Center to give a series of readings by local poets once a month, with open mic to follow. My granddaughter Betty Rothstein recently read her own translations of contemporary Russian poets, including some of her poetry in Russian and in English. (Betty majored in Russian studies.) Wilcox said there is a strong audience for poetry in the upstate New York area.
Barbara Traynor’s book on self-publishing has gone through two editions. One of the ways she markets herself is to contract with newspapers for articles as she travels across the country in search of warmer weather during the winters in upstate. Traynor plans well ahead of time for this trip for her marketing campaigns. She gave the audience a sample of her time-lines.
M. E. Kemp stood up to reveal one of her marketing tools – a black tee with the cover of her latest book in bright colors on the front. She suggested that writers find a special niche market for their books. Since she writes historical mysteries set in and around the Boston area, she speaks to historical societies, book clubs and libraries with a special talk offered on the Salem Witch Trials – always a selling topic. She is also a member of the Sisters in Crime/New England speakers bureau, as well as setting up writing conferences for the Hudson Valley Writers Guild.
Elizabeth Floyd Mair gave some practical advice on how to approach newspapers for a review. Writers should always include a press release in their packet, making it clear with personal info who you are, a local connection to the paper and a good summary of the book in the release so the reviewer can judge whether it’s a book they might like to review.
Key speaker for the conference was Frankie Y. Bailey, Professor of Criminal Justice at the local university and author of two series of mysteries, including a new police procedural set in the future in Albany, NY. Bailey gave a very funny anecdote about how she came up with the subject off the top of her head while speaking to her publisher. Bailey brought a pile of books on marketing but she recommended only one, the old stand-by WRITERS DIGEST. She advised writers to find their “purple cow,” the one that stands out in the field.
I am an unlikely author to ask about her writing career. Virtually nothing about my experience fits into the proverbial “box.” And that question PJ asks about “when did you feel successful as a writer?” Well, I’m still hoping that moment will come!
The one thing I have in common with all writers is that I have always done it, have always loved it, have always had it as a goal. I’m never happier than when I exercise the discipline to write in a serious way.
And I will admit that when I got down to applying that discipline (built up by being a journalist on deadline) to polishing up and actually publishing my first two novels in the Elizabeth Darcy series, DEADLINE ISTANBUL and DEADLINE YEMEN it felt pretty good. After all, by that time, I was age 73!
The truth is that I have always written, just to write. I never really focused on publication. Often, I didn’t even read over or edit my random jottings. Life has been varied and complicated enough to hold my interest: teaching English for the Peace Corps in Turkey, returning to the US; having two children; taking them to Turkey and then to Yemen for several years; divorce; news career with Voice of America as an international radio broadcaster; remarriage,
complete with a surprise third child 20 years younger than his oldest sister; living in India and Indonesia with that child, while also working as a foreign correspondent…
And that’s where I began to write fiction—living in Indonesia. Suharto’s dictatorship didn’t allow me to practice journalism there while married to a World Bank economist, so I quit VOA. It was the first time I’d felt free enough to devote myself to what I’d always wanted to do. With cook, driver, house cleaners, gardener, guards to keep everything running smoothly and ferry my young son to and from school and activities…the situation was ideal for a writer. I joined a writing group and wrote the first draft of DEADLINE ISTANBUL. It was a joyous experience to return to Turkey in memory, conjuring up the sights and sounds of 8 years in that amazing country. Later, when we moved back to India, I wrote the first draft of DEADLINE YEMEN.
But let me try to make an organized structure out of this “career,” while answering some of PJ’s actual questions. (I put quotation marks around career because it feels a little fraudulent to call writing that when my dear husband Jim has been able and willing to support me through the whole process. I know that has taken much of the “bite” out of trying to get published and trying to sell my books. I admire and respect beyond measure authors who actually have to make a living doing this!!)
From first draft to publication of both the DEADLINE books, several years ensued. I honestly don’t know why I persevered through rejections and, frankly, a lack of interest on the part of agents and editors in esoteric topics like Turkey and Yemen. Adding to the problem was my “soft” approach to topics more usually in the realm of thrillers: terrorism, drug and arms smuggling, assassination, international cast of shady characters. I mean, really: Jane Austen, cats, woman with a sense of humor…terrorism? Really?? Set in places where these things really exist (though I would point out to Americans that we of all people should recognize that terrorism is NOT limited to that arising in Islamic cultures.)
So…no niche, no interest, lots going on in my life. Maybe I would never publish the books. Would that matter?
Well, to me, it mattered. (My kids wouldn’t even know my computer password, for Pete’s sake!) I kept going to conferences and writing courses (thank you, Noreen Wald!), jotting down stuff in diaries and travelogues, meeting with other writers in various venues, including a long-term writing group that met at my house and had several well-published authors in it.
Then, a couple of years ago, at Anne Hillerman writer’s conference in Santa Fe, I met my agent, Liz Trupin-Pulli, who expressed interest in my work. I took the day-long writing course there from Sandi Ault (full of practical suggestions) and then put nose to the grindstone for a period of four months and rewrote both DEADLINE ISTANBUL and DEADLINE YEMEN for Liz to see. She accepted me and did a great edit on both books. I HAD AN AGENT!!!
We still had the “niche and unknown countries” problems with big editors. Fortunately, a member of my book group, Carla Coupe, had begun working for a small press, Wildside Press. They accepted the books and Liz and I decided that would be a good route for me. Carla did another edit, and after two more months of nose-to-grindstone, both books came out. My talented daughter, Anne Welles (of Lunatic Fringe Productions), painted dramatic and impressionistic covers for both ISTANBUL and YEMEN. She had grown up in those countries, after all, and could get the feel of things as no other artist could have done. I’m about to get her going on DEADLINE INDONESIA, with palm trees and volcanoes!
Since I am writing books in two different series right now (DEADLINE INDONESIA and the first book in the MARY MATTHEWS VICTORIAN MISSIONARY SLEUTH series) I have not had time (or talent, or energy, or aptitude) to sell my books broadly. That is where PJ Nunn has made all the difference. Elaine Viets told me to go to her, and what a dynamo she is! (Both are, really.) PJ has made me write several guest blogs, has gotten me radio and television interviews all over the country (scheduled but not yet aired), has contacted bookstores and libraries—I cannot keep up with her! Having PJ means that I can concentrate on doing what I love, writing, and follow her orders about what to do about selling. It’s going well, I think.
My biggest discouragement about writing? Probably the fact that agents and editors weren’t interested in the topic or the approach.
My biggest pleasure derived from the writing? The fact that friends all over the world, of various nationalities, who either bought the books or were sent the books, are clamoring for the next volume. That’s what I always wanted to do: provide some pleasure, comfort, fun, and interest to the lives of other mystery fans.
Next month when I spend three weeks in Cairo and Upper Egypt, thanks to my husband’s work, I will be doing what I always do: jotting notes to send back to family and friends. This time, because of PJ, I will try to publish those jottings. It’s a whole new world out there!
DEADLINE ISTANBUL outlines the adventures of Elizabeth Darcy, newspaper reporter, as she seeks answers to the death of her friend, the Istanbul correspondent. She’s supposed to fill in for him. But Elizabeth is too nosy for her own good, and soon she is coming up against hidden dangers on every side, from the storied souqs to the enchanting Bosphorus dividing Istanbul. Some of the men she encounters are attractive. Are they also dangerous? And what, pray tell, about the women? Everyone knows the female is more deadly than the male. It takes all of Elizabeth’s ingenuity, along with a little help from a cat and a journalist, to survive the outcomes of her investigations.
Both DEADLINE ISTANBUL and DEADLINE YEMEN are available from independent booksellers like Edgar Award-winning Mystery Loves Company (Kathy Harig), from Amazon as either paperback or Kindle, and on I-book.
For those who’ve already read the books, meet the real Sultana, above.
Peggy Hanson has lived more than twenty years in Yemen, Turkey, India and Indonesia. An avid mystery fan, she draws on her background as a Peace Corps volunteer and International Broadcaster for the Voice of America to bring the world to her readers through the mystery medium. She finds it more fun to write fiction than to stick to facts as she had to as a journalist, though she tries to be as accurate as possible.
Peggy has published two mysteries in the Elizabeth Darcy series, DEADLINE ISTANBUL and DEADLINE YEMEN. Both take the reader into the intricacies of people in those Islamic countries, with which she is very familiar. She is working on the next in that series, DEADLINE INDONESIA.
She is also beginning a new series featuring MARY MATTHEWS, Victorian American Missionary Sleuth in the Balkans. That series is based on the diaries and letters of Peggy’s great aunt, who was ultimately sent out of Macedonia–possibly for being an American spy.
Peggy lives in McLean, Virginia, near Washington, DC, with her husband Jim and two lively cats. http://peggyhansonauthor.com/
Delacorte Press, 2014, 416 Pages
Reviewed by Patricia E. Reid
Kate Murphy is a young widow from a well-to-do family. Her husband was killed in the service and Kate has made the decision to join the Atlanta Police Force. Her first day on the job leaves her wondering if she has made an error in judgment and needs to rethink her decision.
Nothing is easy on the first day. The legs on her uniform are too long; her cap is too big and falls down in her face and her shoes fall off with every step. It seems the Atlanta PD could care less if the uniform fits the female officers. The male officers enjoy painting a penis on the women’s bathrooms and the colored women police officers have a separate dressing room divided by a curtain.
The Atlanta PD is full of racism and very few new officers, particularly women, meet the criteria necessary to gain respect. Kate is partnered with Maggie Lawson. Maggie has a brother and an uncle on the force, neither of which treat Maggie with much respect. Maggie tries to give Kate a few tips as far as work is concerned but neither woman feel their partnership will be a success.
Immediately the pair are thrown into the investigation of the death of another police officer. Maggie’s brother, Jimmy Lawson, was partnered with the officer killed and managed to carry him all the way to the hospital even though he was also hurt.
It is suspected that a criminal called “The Shooter” is the one killing the officers. Each time a cop is killed the situation seems to have been set up in the same way. Maggie and Kate hook up with a black police officer, Gail Patterson, who agrees to help them locate a pimp that Maggie feels has some information they can use. The three get the information but more trouble than they signed up for.
Cop Town is an exciting book that is difficult to put down. I’ve read all of Karin Slaughter’s novels and she has long been one of my favorite authors. This novel is a standalone but I am hoping that I might be reading more about Maggie and Kate in the future.
Tom Rob Smith
Grand Central Publishing
Reviewed by Patricia E. Reid
The year is 1956. Leo Demidov is heading up the homicide department in Moscow. Leo is trying to make a good life for his wife Raisa and the two girls that the couple has adopted. Elena is the youngest and is happy with Leo and Raisa. Zoya is older and has bitter memories of the death of her biological family. Zoya holds Leo responsible for the death of her parents and her hatred goes deeper than Leo and Raisa realize.
Stalin’s rule is over. Khruschchev is the new leader. A secret manifesto has been printed and is referred to as The Secret Speech. Teachers are commanded to read the document aloud in classrooms across the Soviet Union. Former officials are in fear of their lives since many of their actions under Stalin’s rule are now public knowledge.
A woman from Leo’s past is now the leader of a vory (a group of bandits) in Moscow. The woman is known as Fraera although that is not really her name. Fraera is determined to make Leo suffer for his past actions. Her revenge includes everyone in Leo’s family and extends to his friends. Leo travels undercover to a Siberian gulag and eventually winds up in Hungary during the uprising in Budapest. Leo is determined to keep his family safe and is willing to undergo any hardship to accomplish his goal. Fraera is just as determined to destroy the family.
The Secret Speech is a book that is not easy to read and not easy to forget. It is not necessary to read Child 44 first but I am glad I did. I am also glad that I have not had to undergo the hardships and cruelty that existed in Russia during these times.
Getting rejections may be the hardest part of a writer’s job, but understanding what they tell you could save your career. By studying the pattern of rejections you receive, you may identify problems – the first step toward improving.
Many writers send out submissions to 5-10 agents or editors at a time. Sending small batches means you don’t waste years sending out submissions one at a time, but you also don’t wipe out your entire list of possible targets at once. Save some targets for a second, third, or fourth round of submissions, so you can fix any problems you identify from your earlier rejection letters.
Since editors and agents rarely have the time to explain why they don’t want your manuscript, many of the rejections will be form letters. If an editor or agent’s policy is to only respond if interested, then no response also counts as a form rejection.
After your first 5 to 10 rejections, see what they can tell you by reading between the lines.
If you send a query letter and get only form rejections, you may have a problem with your concept or the way you’re presenting it.
Maybe your idea doesn’t appeal because the market niche is too small. Make sure you’re targeting appropriate publishers, maybe those with a specific genre or regional focus. Or try to broaden your audience appeal, for example by adding a mystery or romance element to the less popular historical fiction genre.
Maybe the idea feels too familiar. If you’re following a trend like dystopian fiction or covering a common topic like the first day of school, you’ll need a really fresh take on the subject to stand out from other imitators.
If your manuscript isn’t currently marketable, you may need to make major revisions. If you can’t fix your idea, the best thing you can do is start a new project.
On the other hand, if you’ve done extensive market research and you’re confident that your idea is marketable, maybe you’re not expressing it well. Are you starting your query by clearly sharing a catchy “hook”? Are you focused on the main plot and character arc, or are you getting bogged down in unnecessary details about secondary characters and subplots? If your idea is trendy, does your query show what makes your interpretation different?
One final possibility is that you didn’t target appropriate editors or agents. If you suspect that’s the case, do more research.
Query letters are challenging, but many resources offer help. You can also ask friends who have not read the manuscript to read the query and tell you what they think the story is about. See if they get a good feel for what you’re trying to convey.
Good Idea, Poor Execution
If you have a strong idea and a well-written query letter, you may get a request for a partial manuscript. That’s a great sign that your topic is marketable. But if an agent or editor reads a few chapters and then passes, you may have a problem with your writing. That means more work on the writing craft. Is your opening too slow, with lots of back story and info dumps? Are you struggling with point of view, showing rather than telling, or pacing? Are you sure the writing is as good as you think it is?
Many books and websites offer writing craft lessons. A good critique group can also help, but less experienced writers may have trouble identifying problems, and even published writers are not always good teachers. Consider getting professional feedback, perhaps by taking classes, signing up for conference critiques, or hiring a freelance editor.
If the agent or editor you queried likes your sample chapters enough to request the whole manuscript, that suggests your “voice” is working for them. If they like your idea and writing style but don’t make an offer after seeing the entire manuscript, most likely you either have plot problems or the manuscript isn’t quite strong enough to sell well in a competitive market. At that point, you’re more likely to get specific feedback if they decide to pass on the manuscript.
Rejections are always painful, but think of them as chance to learn. You’ll lessen the sting, and maybe help yourself reach acceptance next time.
Help with Query Letters
The Writer’s Digest Guide To Query Letters, by Wendy Burt-Thomas (Writer’s Digest Books, 2009)
The Complete Idiot’s Guide to Book Proposals & Query Letters by Marilyn Allen and Coleen O’Shea (ALPHA, 2011)
The Renegade Writer’s Query Letters That Rock: The Freelance Writer’s Guide to Selling More Work Faster, by Diana Burrell and Linda Formichelli (Marion Street Press, LLC, 2006)
Author and former agent Nathan Bransford has many excellent posts on query letters: http://blog.nathanbransford.com
AgentQuery.com has advice on writing query letters, with examples of hooks: http://agentquery.com/writer_hq.aspx
QueryTracker.net allows you to organize and track your query letters, and also to see reports of agent responses, for comparison: http://www.querytracker.net/
Query Shark shares hundreds of real queries critiqued by an agent: http://queryshark.blogspot.com/
Slush Pile Tales also critiques real queries: http://slushpiletales.wordpress.com/
Chris Eboch writes fiction and nonfiction for all ages, with over 30 published books. Advanced Plotting helps writers fine-tune their plots. Chris’s books for ages nine and up include The Genie’s Gift, a middle eastern fantasy,The Eyes of Pharaoh, a mystery in ancient Egypt; and The Well of Sacrifice, a Mayan adventure. Learn more at www.chriseboch.com or her Amazon page, or check out her writing tips at her Write Like a Pro! blog.
Chris also writes novels of suspense and romance for adults under the name Kris Bock. Counterfeits starts a new series about stolen Rembrandt paintings that may be hidden in a small New Mexico art camp. Whispers in the Darkfeatures archaeology and intrigue among ancient Southwest ruins.What We Found is a suspense with romantic elements about a young woman who finds a murder victim in the woods. Rattled follows the hunt for a long-lost treasure in the New Mexico desert. Read excerpts at www.krisbock.com or visit her Amazon page.
Tom Rob Smith
Reviewed by: Patricia E. Reid
Child 44 begins in January of 1933 and sets forth the plight of the people in Russia who were starving to death. When one has never really gone hungry it is just very difficult to imagine what a person would go through to feed themselves and their families.
The book jumps forward to 1953 where we meet Leo Demidov and learn about his work in the MGB, the State Security Force, both the perks and the downside
The story is about a serial killer who stalks and kills young children in a very violent manner. Sometime goes by before anyone realizes that there really is a killer at large. The victims are usually found near railroad tracks and there have been victims in numerous towns but Russia did not have the communication between departments or even a homicide department where the information is shared from one place to another. People have been caught, accused and put to death in order to solve one of these murders because that is the goal in the Russian official’s minds is just to charge someone and close the case.
Not until Leo Demidov who is an agent for MGB, the State Security Force, falls out of favor with his superiors and is demoted does he realize the extent of these killings. His efforts to find the murderer put not only his life in danger but the life of his wife and anyone who is willing to help.
The hunt for the serial killer is very exciting and you will find yourself holding your breath many times. The background of life in Russia during the reign of Stalin is quite revealing and made me very, very thankful that I was born and raised in the United States.
Trade paper, 248 pgs.
Lillian Melendez’s Auditory Viewpoint is a one-of-a kind mystery for me. I’ve not read any other books that has a blind woman working to solve a mystery. Melendez does it very well, except for one point–her main character seems to lose sight of the goal of solving who is trying to kill her sister! Actually, it seemed to make her much more realistic… Can you imagine being blind and having others feel that you could not take care of yourself? Gloria Rank had proven it to herself and was living alone and apparently doing quite well. She was the older sister of Anna, who seemed to be one of those individuals. So much so that when Anna finds herself in trouble and Gloria wants to help, it created somewhat of an argumentative situation… Sounds pretty realistic, doesn’t it. Except that Gloria had reached “that point” where she knew she had to show her sister and others just how well she could handle even a dangerous situation.
I enjoyed it myself, but others may see her as a domineering woman, which she is not. Gloria knows that there are other senses that humans all have, that we do not use as fully, just because we can see! She was determined to take the time to teach her sister how to better protect herself, even while Anna came across in a condescending manner. A very interesting and brave approach by Melendez because that sometimes makes her two main female characters come across negatively. I’m assuming that my thoughts are correct and I’m applauding the author for taking on this challenge to make it more realistic…If I’m wrong, then probably Gloria’s interpersonal skills need to be worked on if she appears in another novel…LOL
Gloria Rank was co-host for a talk radio program, “The Scope Morning Show” along with John Myers and had earlier met Benjamin Taylor, an information security analyst, who had provided his expertise on a program on identity theft and cybercriminals, plus what you can do if you happen to become a victim.
She had learned enough on that program to automatically think of Ben when her sister called her, distressed, because her identity had apparently been stolen! As the investigation proceeded, the police had found tape of a woman that looked very much like Anna accessing her account. Apparently $12,000 was gone!
But what did that have to do with the dead man found at her door?!!! Police began to suspect that there was actually somebody out there wanting to hurt Anna and they suggested she leave her apartment…
Two learning aspects for readers is, first, from the IT expert on identity theft and other scams, but the more important–or at least just as important–is Gloria’s teaching Anna and also Ben about learning how to more effectively use all of your physical senses… Even smell might be important, right in your home!
Once the police realized that the sisters were doing their own investigation, they tried to make them understand how dangerous it was, but at least they tried to keep in touch as often as possible. And Ben seemed to be making the time away from his own work to go with them–so, of course, he began to take the lessons that Gloria was adamant they learn. Now, admittedly, there were a lot of conversations that were overheard, but overkill might just convince those of you who still believe that there is safety in numbers, like at a mall, well, soon it was apparent that was not true, especially when a little device was added to the criminals’ activities… Don’t know what that is? This might have been created to read ID numbers from boxes to maintain inventory…But what can the criminal minds’ ideas become?
There is a fascinating twist that you should be on the alert for… Two of our characters will be recipients of the activity–acting as a trigger of the same event…One is good; one is evil…or driven to revenge? Once again, a daily occurrence in American lives becomes the basis for criminal action…
This is an informative as well as taunting story that makes readers stop to consider what they can do or learn to be safer. I have only one suggestion to this professional writer…take the time to listen to how people are talking these days–it’s shorter, faster and not grammatical; e.g., very few young people will say, “What is up, brother?” Each of us will probably immediately think of multiple ways that this phrase has been reduced… There is a fine line that writers need to learn and use in today’s world. We talk in contractions, do not say entire words that would occur in formal writing. This book could have been much more exciting, more in line with other thrillers coming out, if, whenever possible, and easily understandable to readers, sentences are not filled with lots of adjectives and other shortcuts that are prevalent in today’s world…This is more important, in my opinion, in mystery, suspense, and thriller genres… Don’t go too far, but a lot of extra words really could have been taken out without hurting the basic story. I would still recommend it because of the unique concept of the story, as well as the information provided. It’s hard to claim this book is not well written, but it is different from Americanized talking… Work to find that balance, and you’ll find there will definitely be a difference in the speed of reading and the ability of readers to more quickly sink into your story…
Book Provided for Review