When he called I was writing the seventh in my Shadows Antique Print series, Shadows on a Maine Christmas. I was also editing Uncertain Glory, an historical for young people set in Maine during the first two weeks of the Civil War.
In short, I was busy.
Did I want to start a new series? My husband reminded me that I’d talked about new projects. I reminded him that a new cozy series hadn’t been on that list. And needlepoint? I knew next to nothing about needlepoint.
He reminded me that I loved to do research.
I called my agent back. Could the series be about knitting? I was pretty good at knitting.
I took a deep breath and agreed.
And I started blue skying. I checked: no needlepoint mysteries were set in New England. Many of my fans liked my books set in Maine.
My Shadows series is set in a small town on a tidal river, but I wanted this series to be different. I’d set it in a harbor town. So I created my setting: Haven Harbor. I sketched it out … three islands in the harbor. A lighthouse, a small rocky beach, a yacht club, a town pier, and a working waterfront with a lobsterman’s co-op and restaurant. A town green, of course. And shops, catering to both tourists and locals.
As the idea became a plan, I created my protagonist. Angie Curtis, a local kid who’d had a tough childhood, left Maine to escape it, but now was back, confronting her past. She’d be in her late twenties, and street savvy. She’d also know how to handle a gun. And the series would be written in the first person, from Angie’s point of view. Cozy, OK. But with an edge.
I even added a cat.
But where did the needlepoint come in?
Angie’s mother had disappeared when she was ten. Angie’d been brought up by her grandmother, an expert needlepointer. In the years Angie’d been away (working for a private investigator in Arizona, I decided,) her grandmother had started a small business: Mainely Needlepoint. She’d gathered a few local women (and men) to work for her business.
But why had Angie returned to Maine?
Her mother’s body has just been found. She wants to find her mother’s killer. And, to add to the complications, what if one of her grandmother’s needlepoint colleagues was also murdered …
And I had the beginning of my plot.
Because I love antiques and many of my Shadows series readers do, too, I decided Mainely Needlepoint would also be involved with identifying and conserving antique stitching. And to set the scene I’d put quotations about needlepoint at the beginning of each chapter.
Twisted Threads: A Mainely Needlepoint Mystery, the first in that series, was published this week.
I’ve already finished the second book in the series (Threads of Evidence), which will be released in August, and I‘m working on Thread and Gone, next January’s book.
No doubt about it: I’m writing a new series.
Maine author Lea Wait writes the Shadows Antique Print Mystery series, the most recent of which, Shadows on a Maine Christmas, Library Journal named one of the best Christmas reads for 2014, as well as the Mainely Needlepoint series. She also writes historicals for ages 8 and up, the most recent of which is Uncertain Glory. For more information about Lea and her books see www.leawaitcom. She also invites readers to friend her on Goodreads or Facebook.