Then and Now: A Series Evolves By Frankie Y. Bailey

            I had no master plan for my Lizzie Stuart series. I wasn’t even sure I could finish the first book. I had an idea – a mystery inspired by an incident I had discovered while doing research for my dissertation. I decided to create a fictional sleuth – Professor Lizabeth Stuart, crime historian – who would investigate a fictionalized version of that incident. In this mystery novel, Lizzie would go to “Gallagher, Virginia” to investigate a lynching that her grandmother, Hester Rose, witnessed as a child.

Writing that book was a slow process. I had written two romantic suspense novels that were tucked away in a bottom drawer. I needed to learn how to write a mystery. Along the way, I joined a writing group that provided me with support and encouragement. But five years later I was still revising and revising and spinning my wheels.

When a friend from graduate school invited me to join her and her six-year old son for a week’s vacation in Cornwall, England, I said “yes.”  To justify my vacation, I decided to take Lizzie with me, to try writing a book set in Cornwall. A modern version of the kind of book Agatha Christie might have written about murder in an English artist colony/seaside resort.

This vacation book was intended to be no more than a writing exercise. It became much more. In London and in Cornwall, Lizzie, my Southern-born, African American sleuth came to life. Suddenly, I could hear her voice in my head. I understood how she saw the world.          Death’s Favorite Child, the book that began as a writing exercise, became the first book in the series. It was the book I sold to a small independent publisher. The book I had been working on for five years became A Dead Man’s Honor, the drastically revised second book in the series. Those revisions were necessary because in Cornwall I had learned much more about Lizzie – and Lizzie had met a Philadelphia homicide detective named John Quinn. Quinn had always been around, but for five years he had been the police chief in Gallagher, Virginia. He was to have appeared only in that book. But in Cornwall, he turned up as a much different character, walked into the series and decided to stay.

Now eighteen years after that first book was published, the series is being reissued by a new publisher. Although I was certainly not clever enough to have planned for this possibility, I am benefitting from the fact that I have been writing in “series time.”  In the context of the events in Lizzie’s life, only four years have passed. In the series, the current year is 2004. But Lizzie is much stronger and much more confident than when she set out on that vacation in Cornwall. That’s just as well because in the sixth book, now in progress, meeting her fiance’s family will not go as planned.

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Pliny the Younger—More than a Beer by Albert Bell

The Russian River Brewery in northern California produces a beer called Pliny the Younger. I have a T-shirt from there, but I don’t know how on earth they came up with the idea. Pliny (Gaius Plinius Caecilius Secundus) was a Roman aristocrat who lived from approximately 62-112 AD. His surviving writings include a lengthy speech and 247 letters to a variety of friends, including the historian Tacitus. Two of those letters describe the eruption of Mt. Vesuvius in 79 AD, which he witnessed from a distance. They are the only eye-witness account of a natural disaster that we have from antiquity. Another gives us our first non-Biblical description of Christians.

 

But he had nothing to do with beer.

 

Nor did he have anything to do with solving murders, so why have I written a series of novels featuring him as an amateur sleuth? The first, All Roads Lead to Murder, came out in 2002. The seventh, The Gods Help Those, is being published this month by Perseverance Press. When a warehouse that Pliny owns collapses in a flood, several bodies are found in it. One of them is a man wearing a tunic with an equestrian stripe on it, a sign of aristocratic status. Who is he? What is he doing there? And where did the baby come from? I am currently at work on the eighth book, with the working title Hiding from the Past.

 

I chose to use Pliny as a detective because he has a skeptical, inquiring mind. As a historian I’ve studied him for years. Using a historical person in a work of fiction can be a challenge, though. I am constrained by what is known of his life: his birth and death dates, the offices he held and when he held them, his presence at certain places and certain times (e. g., near Pompeii in August of 79 AD), and his personality as revealed in his letters.

 

I think I have remained true to Pliny’s character. He was a slave-owning, wealthy, Roman aristocrat. I am none of those things, but as a writer I try to put myself in the mind of such a person. I’ve written books from the first-person POV of a woman and from the POV of an 11-year-old. I must not be too far off the mark, because I’ve gotten fine reviews for all of those books.

 

Some of the people around Pliny are historical. He and Tacitus were good friends, to judge from Pliny’s letters. He mentions his mother in the letters about Vesuvius. He hated a man named Regulus. When Regulus died, Pliny told a friend, “Regulus did well to die. He would have done better to have died sooner.” How can you not like a guy who can write that?

 

Other people in the books are, of course, my own creations. Pliny was married several times, as any man of that time might be. I have given him a mistress—one of his slaves named Aurora. The relationship, which has developed as the series has gone along, is entirely consensual. Aurora came into his household when they were both seven. They grew up as friends and have become lovers. Aurora has become a powerful character in her own right. Beginning with the fifth book, The Eyes of Aurora, I began to write some sections from her POV.

 

Historical mysteries aren’t everyone’s cup of tea; I know that. I think Pliny and his associates are compelling characters and of interest, regardless of when they lived. When the previous installment, Fortune’s Fool, appeared, one reviewer said, “Bell reinforces his place among those who are pushing the mystery beyond genre, toward the literary.” About the same book, another reviewer said, “This novel is packed with it all—compelling, complex plotting, keen historical observation, painful irony and pathos, and broad Roman humor.”

 

Albert Bell teaches history at Hope College, in Holland, MI. His specialty is ancient Rome. He and his wife, a retired psychologist, have four adult children and two grandsons. Albert has had 16 books published, as well as articles and stories. In addition to his Roman mysteries, he has written three middle-grade mysteries, and several stand-alone adult contemporary mysteries. When he’s not teaching or writing, he enjoys his perennial flower beds and his collection of old baseball cards.

 

http://www.albertbell.wixsite.com/writer

 

https://www.amazon.com/Gods-Help-Those-Seventh-Notebooks/dp/1564746089/ref=sr_1_1?s=books&ie=UTF8&qid=1535721952&sr=1-1&keywords=gods+help+those&dpID=51m-pxkr02L&preST=_SY344_BO1,204,203,200_QL70_&dpSrc=srch

http://www.albertbell.wixsite.com/writer

First chapters – Death’s Favorite Child by Frankie Y. Bailey

Do you have your copy yet?

 

 

Chapter One

 

Wednesday, June 17, Drucilla, Kentucky

 

Rituals for the Dead and Dying.  I’d scrawled those words across the yellow page of a legal pad one robins-chirping, tulips-blooming afternoon in May.  That day, moving my hand across the page had been the only thing that had kept me from toppling over.  The paperback thriller I had brought along in my tote bag had stayed there, too intricate for my brain even if my eyes hadn’t been filled with grit.

Rituals.  During slavery, blacks on plantations often wrapped their dead in “winding sheets” and buried them at night.  Laboring from sunup to sundown, the slaves spent their daylight hours performing their masters’ tasks. Night was the only portion of the day that they could call their own.  So that was when they buried their dead. Singing, carrying torches to light the way, they delivered the body to its grave.

Such processions puzzled, even frightened, the whites who observed them.  Prone to their own superstitions, whites in the antebellum South understood better the “death watch” for the departing loved one and the “laying out” of the corpse.

They, white people, died of diseases and in childbirth. Black slaves died of the same causes and of hard work and abuse. Death was a constant presence in the lives of both groups. Death required rituals.

It still does. My grandmother, a descendant of field slaves, did her dying in a hospital room under medical supervision. But each day I drove back and forth to Lexington to keep my vigil at her bedside.

On the night that she died, I had lost my battle with exhaustion and fallen asleep in an armchair. Her voice jolted me awake. She had pushed herself upright in the bed. “Becca? Don’t you play your games with me. I see you there.”

I twisted around in my chair. For a moment, in that dimly lit room, I expected to see something there in the shadows.

“Becca, you stop your laughing!”

I had never heard Becca laugh. Neither one of us had laid eyes on Becca, my mother, in the thirty-eight years since my birth. But to the best of my knowledge she was still alive. Not a ghost to haunt her mother’s passing.

I staggered to my feet. “Grandma? Shh, it’s all right. Let me help you lie back down.”

She turned her head and looked up at me. “Becca? What you come back here for?’

“Grandma, it’s me. It’s Lizzie. Here, let me–”

She grabbed my hand in an urgent grip. “It would kill you daddy if he knew. We can’t never let him find out. We can’t let nobody find out.”

“What. . .find out what?”

She groaned, rocking herself. “How could you do it, Becca? That man–” Her voice sunk to a whisper. “Oh, lord, baby. Becca, get on your knees and pray . . . pray for you and that child growing inside you.”

“Grandma, what–?”

She slumped against my arm.  I held her for several heartbeats, then eased her back down onto the pillow.

She was dead.  I knew that even before I pressed the button for assistance, even before a nurse rushed into the room to check her vital signs.  Hester Rose Stuart was dead.

As for Becca–Rebecca, headstrong by all accounts, had been a few weeks short of eighteen when I was born.  Five days after my birth, still without revealing the identity of my father, she had boarded a Greyhound bus and left town. Or so my grandmother had always told me.

In the days since my grandmother’s death, I had been adjusting to living alone in the house that was now mine. Adjusting to silences filled with voices from my childhood. At around three that afternoon, I came to rest there in the kitchen doorway.

Silver-edged thunderheads loomed.  I considered getting in my car and driving down to the Sheraton Hotel.  I thought of sitting there in the lobby cafe sipping mint tea while the pianist played and the fountain tinkled, drowning out the storm raging outside.  I thought of leaving home before the storm broke, but I kept on standing there in the doorway with that photograph in my hand.

It had been taken out by the old oak tree.  My grandfather, Walter Lee, grinning that grin that people still mentioned when they spoke of him, faced the camera.  He was ebony-skinned and lanky.  Hester Rose, petite and pecan-colored, peeped around his shoulder.  That afternoon, touched by some fleeting joy, she had dared risk one of her rare full-mouthed smiles.  A hand had snapped the photograph and then it had been forgotten.

I had found the camera when I was searching the attic. After two hours of dust and spider

webs, after finding nothing more significant about my mother than the paperback novels–Moby Dick, Jane Eyre, and The Scarlet Letter—that she must have been assigned in a high school English class, I had been about to give up. Then I’d opened a dented steamer truck. The camera was buried beneath a pile of moldy sheets. When I realized it contained film, I ran downstairs to change.  Half an hour later, I was walking into a camera store in Lexington. There among the prints of house, flower beds, and vegetable garden had been that single photograph of my grandparents, the proud homeowners.

Both dead now. He of a heart attack, years ago when I was at graduate school. She at a little after midnight on June 1, the combined effects of hip surgery, diabetes, and a virulent strain of pneumonia—and perhaps whatever it was that had kept her mouth tight and her eyes wary.

Lightning zigzagged across the sky.  I stepped back into the kitchen and let the screen door bang shut.

When I was a child, I had been sure God was Zeus, with lightning bolts that he flung down at people who had been bad.  I shared this with my grandfather during one of our tramps through the woods, and he laughed until tears streaked his cheeks.

Seeing my chagrin, he hugged me to his side. “Lizzie, if that was the way of it, child, you wouldn’t be able to walk after a storm for all the dead folks you’d be stumbling over.” That might be true, but all these years later I could still have gone for a very long time between colliding weather fronts.

Lightning flashed. Thunder cracked and boomed, shaking the house. I clutched my grandparents’ photograph and scrunched myself tighter into a corner of the flowered sofa. The shutter on one of the upstairs windows was loose and banging. Rain slashed against the picture window in the living room. I huddled there on the sofa, mumbling an apology for being ungrateful for what I had. An apology for being angry because I was without kin.

God did not strike one dead for having wicked thoughts.  If that were the case, I’d already be dead.

I was astraphobic, brontophobic.  Scared of storms.  One of those silly childhood fears I intended to outgrow someday soon. The upstairs shutter banged like a gavel in the hand of an irate judge.

“All right, you’re being ridiculous. One hundred, ninety-nine, ninety-eight. First thing tomorrow, find a repairman to fix the shutter. Ninety-seven, ninety-six. I am calm and relaxed. I am–”

White light exploded in the room. I screamed. I thought I was dead. But it was the tree. The old oak tree in the backyard had been struck by lightning. Blasted to its roots. Hester Rose, my grandmother, would have said it was an omen. A “sign.” But a sign is only useful if you know how to read it. At any rate, it was a moment of transition. Not dying was amazingly therapeutic.

***

Criminologist Frankie Bailey has five books and two published short stories in a mystery series featuring crime historian Lizzie Stuart. The Red Queen Dies, the first book in a near-future police procedural series featuring Detective Hannah McCabe, came out in September 2013.  The second book in the series, What the Fly Saw came out in March 2015. Frankie is a former executive vice president of Mystery Writers of America and a past president of Sisters in Crime.

Website URL: http://www.frankieybailey.com

Twitter:  @FrankieYBailey

 

Amazon: Death’s Favorite Child

https://www.amazon.com/Deaths-Favorite-Lizzie-Stuart-Mystery-ebook/dp/B078FQT4XD/ref=sr_1_1?ie=UTF8&qid=1536271507&sr=8-1&keywords=death%27s+favorite+child

 

Amazon: What the Fly Saw

http://www.amazon.com/gp/product/B00MLNBJC2?keywords=what%20the%20fly%20saw&qid=1450548269&ref_=sr_1_1&s=digital-text&sr=1-1